LOWER MANHATTAN CULTURAL COUNCIL PRESENTS KAMEELAH JANAN RASHEED’S A SUPPLE PERIMETER, IF/THEN AND QUESTIONS AT GOVERNORS ISLAND

SUMMER-LONG, EVOLVING, MULTIDISCIPLINARY SOLO EXHIBITION & PUBLIC ART INSTALLATION RUNS MAY 26 THROUGH SEPTEMBER 24

FREE AND OPEN TO THE PUBLIC

Lower Manhattan Cultural Council’s Arts Center at Governors Island hosts LMCC’s summer exhibition, A Supple Perimeter, by artist, educator, and writer Kameelah Janan Rasheed. Free and open to the public, the exhibition will change over time, inviting audiences to both experience the evolution of the space in person and encounter a new installation upon multiple visits. In addition, Rasheed’s If/Then (2014-present) and Questions (2017) will be installed on the façade of the historic Fort Jay Theater on Governors Island—see below for details.

“Kameelah Janan Rasheed is a vital emerging voice,” says Melissa Levin, LMCC’s Vice President of Cultural Programming. “Her poetic yet incisive approach to pressing personal, social, and political inquiries—both longstanding and those specific to our time—results in visual multiplicities. Her expansive artistic practice, which interrogates time, language, and power, while intervening into both institutional spaces and the public sphere, on view at Governors Island this summer, will both delight and challenge audiences.”

Rasheed describes A Supple Perimeter in an artist statement:

Rasheed’s research-based practice, which spans installation, photography, performance, publications, and printmaking, engages with figurative and literal language to interrogate how we read, write, consume, and distribute histories of Black folks.

Invested in the wide permutations of Blackness, A Supple Perimeter explores the capacities of blackness and the quiet, blackness and the reticent, blackness and the private: an expansive blackness that allows for a Black subject with interiority and a strategic engagement with public(s).

In 
A Supple Perimeter, Rasheed begins with her research into ecology, entropy and black traditions of experimental writing to construct an immersive ecosystem of existing and self-authored texts, unfinished videos, projections, objects and excerpts of sound experiments that comment on selective legibility; the tension between public and private selves; black traditions of covert literacies and language systems; technologies of counter-surveillance; as well as systems of self-publishing. Delicately moving between opacity and transparency, interiority and public pronouncements, in A Supple Perimeter bodies of work are burrowed into the walls, others erupt from the corners, while some only become visible through specific physical engagements. Faced with the assertion of an ahistorical and stable Black subject who is both publicly available and fungible, Rasheed invites the audience to engage with an unstable installation space that mirrors of the agility of Blackness, her blackness, in an installation that will shift in form and content over the course of the installation period using a set of rules derived from constrained writing techniques and performance scores.

Each iterative change to the installation will be accompanied by a piece of writing and a map of changes published at www.kameelahr.com/a-supple-perimeter, while weekly images will be posted to Instagram, Facebook and Twitter using the hashtags #asuppleperimeter, #kameelahjananrasheed, #lmcc and #r2r.

Accompanying the Arts Center exhibition, LMCC will also present Rasheed’s If/Then (2014-present) and Questions (2017) on the façade of the historic Fort Jay Theater on Governors Island using the existing poster cases and original marquee board. Taking advantage of a space that would have typically advertised live entertainment and movies from 1939-1996 to U.S. military and their families living and working on Governors Island, Rasheed’s new project Questions and the ongoing If/Then both aim to create a different kind of moment of pause for a viewer: to consider an existential question or to process the association of poignant, two-word alliterative phrases, all composed by the artist.

On a biweekly cycle, the posters in the cases and the text in the marquee board will be changed by Rasheed. The marquee board will feature a new question concerning a contemporary context. The posters will feature alliterative word pairings, each of which contain a multiplicity of meanings. Each change will be documented via Instagram. The final images of the marquee board will be compiled into a small zine made available at the close of the show. The installation’s first question is, “Are we there yet?”

A SUPPLE PERIMETER EXHIBITION DETAILS
Free and open to the public, on view May 27-September 24

Fridays, Saturdays, Sundays and holiday Mondays, 12-5 p.m.
Every day during the River To River Festival, June 15-June 25, 12-5 p.m.
Reception: Saturday, June 24, 3-5 p.m.

Governors Island: LMCC’s Arts Center (Building 110)
Map: https://goo.gl/maps/BWHCkKA3koN2
Ferry info: https://govisland.com/info/ferry
Webpage: http://lmcc.net/event/a-supple-perimeter/

Organized by Melissa Levin

IF/THEN AND QUESTIONS INSTALLATION DETAILS

Free and open to the public, on view May 26-September 24
whenever Governors Island is open
Governors Island: Fort Jay Theater

Map: https://goo.gl/maps/wi8fTpemiiv
Ferry info: https://govisland.com/info/ferry
Webpage: http://lmcc.net/event/if-then-questions/

Organized by Melissa Levin


ABOUT KAMEELAH JANAN RASHEED
Kameelah Janan Rasheed is a Brooklyn-based interdisciplinary artist, former high school public school teacher, and writer working in installation, photography, printmaking, publications, and performance. In addition to her full-time work as a social studies curriculum developer for New York public schools, she is currently an artist-in-residence at Smack Mellon and on the faculty in the MFA Fine Arts program at the School of Visual Arts. She has exhibited her work at Jack Shainman Gallery, Studio Museum in Harlem, Bronx Museum, Queens Museum, Schomburg Center for Research in Black Culture, 2017 Venice Biennial, among others. Rasheed has forthcoming solo and group shows in Philadelphia, Portland, and New York City for 2017 as well as 2018. Recently selected as a finalist for the Future Generation Art Prize, she is the recipient of several other awards and honors including Denniston Hill A-I-R (2017), Alumni Alumni Award for Art in Community-The Laundromat Project (2017), Harpo Foundation Grant (2016), Magnum Foundation Grant (2016), Creative Exchange Lab at the Portland Institute of Contemporary Art (2016), LMCC Process Space Residency (2015), Keyholder Residency at LES Print Studio (2015), Triple Canopy Commission at New York Public Library Labs (2015), Artadia Grant (2015), Queens Museum Jerome Emerging Artist Fellowship (2015) Art Matters Grant (2014), Rema Hort Mann Foundation Grant (2014), among others. She has spoken and facilitated discursive programming at a number of institutions such as the ICP-Bard, New Museum, Montclair Art Museum, Metropolitan Museum of Art, MoMA, Brooklyn Museum, Queens Museum, The Museum of the City of New York, the Center for Book Arts, Creative Time, Schomburg Center for Research in Black Culture, Interference Archive, Northwestern University (forthcoming), Maryland Institute of College of Art, Hampshire College, School of Visual Arts, Parsons, The New School, NYU, Columbia University, Barnard, and the University of Illinois. Her writing has been published in The New Inquiry, Gawker, The Guardian, Creative Time Reports, Hyperallergic, MoMA Blog, Walker Art Center Blog, among others. A 2006 Amy Biehl U.S. Fulbright Scholar to South Africa, she earned her B.A. in public policy at Pomona College and her Ed.M at Stanford University in Secondary Education. Learn more about her at www.kameelahr.com

ABOUT LOWER MANHATTAN CULTURAL COUNCIL (LMCC)
Since its founding in 1973, Lower Manhattan Cultural Council (LMCC) has been dedicated to empowering artists and enhancing the cultural vibrancy of New York City through a broad range of platforms and initiatives, all based on the belief that artists are an inspirational and catalyzing force within any community.

In 2017, LMCC will award over $650,000 in grants; place 100 individuals and arts groups in studio residency programs; offer free professional development workshops and programs designed to help artists  enhance the sustainability of their careers; and present over 140 days of free cultural experiences for the public to enjoy, including its flagship River To River Festival, Open Studios with artist talks and work-in-process showings, Arts East River Waterfront programs, and exhibitions & installations in LMCC’s Arts Center at Governors Island and other locations.

LMCC’s robust network of partners in the public and private sectors combined with its commitment to investing in individual artists and small arts groups and its integrated approach to fostering local neighborhood efforts is all directed toward sparking public thought and imagination and inspiring personal attachment to—and investment in—NYC’s communities.

For more information, please contact Chris Schimpf, Krista Williams or Carla Sacks 212.741.1000 at Sacks & Co.


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