“…one of the world’s foremost purveyors of Afro-Cuban pop.” —NPR

“…pioneers of African pop…one of the most joyous, rousing bands on the continent…” —The Guardian

Tribute To Ndiouga Dieng, the highly acclaimed new album from West Africa’s iconic dance-band Orchestra Baobab, is out now on World Circuit Records. The band’s first album in nearly a decade—arriving almost half a century since their formation—is the subject of early critical praise:

“…full of charm and easy grace, from the high-spirited opening track called ‘Foulo’ to the sinuous ‘Woulinewa’... long live Orchestra Baobab.” –NPR Music

7.5 / 10
“…shows the legendary group’s prowess in a manner that sounds effortless and unfussy…” –Pitchfork

“…a spicy mix of African and Cuban tempos with no rust and a fluctuating pulse.”
=“...the orchestra’s seemingly effortless ability to create irresistible dance rhythms remains intact even after a 10-year pause.” –Associated Press

“Orchestra Baobab is back, and the joy at hearing their music is immediate.” –Billboard

 “[Tribute to Ndiouga Dieng] is a serene and stately meditation on the remarkable centuries-long transit of music from Africa to Cuba and back again.” –Relix

4 / 5
“...the music on offer is satisfying; it’s deeper and wider and the elements of joy are untouched by time.” –AllMusic

“…deeply satisfying.” –Aropop Worldwide

In celebration of the new record the band are playing select shows this spring in Europe. See below for a complete tour itinerary. Recorded locally in Moussa X’s Dakar studio, the new recordings sound fresh and yet reassuringly familiar, retaining the ripeness of the sound that made Orchestra Baobab a legend but interpreted with a vigor and vibrancy—and with a few twists—that are vital and captivating.

As enduring as the mighty African Baobab tree from which the group derives its name, the veteran core of the band remains as strong and sturdy as ever. Vocalists Balla Sidibe and Rudy Gomis, saxophonists Issa Cissoko and Thierno Koite and the long-serving, rock-steady rhythm section of Balla Sidibe on timbales, Charlie Ndiaye on bass and Mountaga Koite on congas.

Alongside this impressive continuity there have been changes in the ten years since Baobab’s last World Circuit album—Made in Dakar —but they have been executed seamlessly. Guitarist Barthelemy Attisso, now a lawyer in Togo, is absent due to the demands of his day job but kora player Abdouleye Cissoko from the Casamance region in southern Senegal is a welcome addition. It’s the first time Baobab has numbered a kora player in its permanent ranks but Cissoko’s rippling strings have blended seamlessly into the sound and lent a fresh dynamic. Elsewhere Baobab’s distinctive two-saxophone attack—which combines the vibrato laden declamatory style of Issa Cissoko with the softer more lyrical playing of Thierno Koite— has been bolstered by trombonist Wilfried Zinzou and the young virtuosic guitarist Rene Sowatche, both from the fertile musical pastures of Benin.

Veteran vocalist Balla Sidibe is a commanding presence on the album with his triple threat of musical influences—Manding from Guinea/Mali, creole from Casamance and Afro-Cuban. Two special guests memorably add their voices to the mix. Cheikh Lo dropped by the studio to add his soulful tones to “Magno Kouto” and Thione Seck, who left Baobab in 1979 for a career as one of West Africa’s biggest solo stars, reunites with his old bandmates for the first time in over 35 years to reprise his first hit “Sey.”

Tribute To Ndiouga Dieng is dedicated to one of the band’s original vocalists who sadly died in November 2016. His songs will continue to be sung with the band by his son Alpha. It represents the latest chapter in a long and storied career that started in 1970 when the newly-formed Orchestra Baobab helped forge Dakar into one of the world’s most vital musical cities. Over the next decade the group dominated the local scene and produced countless hits before disbanding in the early eighties.

A huge groundswell of international interest in their original recordings—and in particular the acclaim that greeted World Circuit’s reissue of their legendary 1982 album Pirate’s Choice—led to the triumphant reformation of the band in 2001 and their award winning comeback album Specialist In All Styles.

Since then they’ve toured the world to international acclaim and have now been back together as long as they were in the belle epoque of the group’s first incarnation. This, their third album since their felicitous comeback—produced by Nick Gold, Lamine Faye and Jerry Boys—is an irresistible mix of velvet harmonies, warm and heartfelt vocals, smoky sax and sweetly shimmering kora and guitar lines, expertly crafted and masterfully delivered with a poise and virtuosity built up over a lifetime. 

We give you Orchestra Baobab: specialist in all styles, still going strong and still growing…

For more information, please contact Nick Mallchok, Chris Schimpf, Krista Williams or Carla Sacks at Sacks & Co., 212.741.1000.

1. Foulo
2. Fayinkounko
3. Natalia
4. Magnokouto
5. Mariama
6. Woulinewa
7. Sey
8. Caravana
9. Douga
10. Alekouma


April 29 /// Cheltenham, UK /// Cheltenham Jazz Festival
May 5 /// Leuven, BEL /// Het Depot
May 6 /// Amsterdam, Netherlands /// Melkweg
May 7 /// Rotterdam, NL /// Lantaren Venster
May 11 /// Hamburg, DE /// Fabrik
May 12 /// Berlin, DE /// Gretchen
May 13 /// London, UK /// Jazz Café
May 14 /// London, UK /// Jazz Café
May 16 /// Châtellerault, FR /// Cabaret Sauvage
May 17 /// Châtellerault, FR /// Festival Jazzellerault
May 19 /// Oslo, NOR /// Cosmopolite

August 10 /// Marciac, FR /// Chapiteau

Website: orchestrabaobab.com
Facebook: facebook.com/OrchestraBaobab
Twitter: twitter.com/worldcircuit
Instagram: instagram.com/world_circuit_records/